Use the menu above or scroll down to see a selection of work from the collections.
Graceful Inner Islands
Following the release of the Graceful Inner Islands exhibition collection in 2016, Luke has continued to explore novel organic forms derived from hand carved porous fragments of cancellous bone. Created according to the principles of wabi-sabi, each piece is transformed into precious metal, forming unique handcrafted items frozen in a moment of decay or emerging from nothingness.
In This Unfolding
Released at the In this unfolding solo exhibition at the Queensland College of Art, Griffith University in 2015, these pieces are greatly influenced by Luke's career as a neuroscience imaging specialist. Exploring forms of the brain and the philosophical concept of "coming out of the world" as opposed to "coming into the world" each is unique and hand crafted in precious metal. Passionate about finding ways bridge the worlds of art and science, Luke continues to expand the collection each year with new works for group exhibitions, commissions, and for auctions to raise money for research.
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Above and Below
The pieces from Above and Below are inspired by present day neuroscience imaging and microscopic details presented by renowned microscopist and artist Ernst Haeckel. They are both a celebration and reflection of the past 10 years Luke has dedicated to imaging and fluorescence microscopy, a technique that makes use of glowing proteins derived from jellyfish to visualise and reconstruct the forms of the living.
The Flowers Remaining
The Flowers Remaining are signature pieces that have exhibited in Australia and USA as part of Greensmith. They reflect on environmental degradation and the fragile being the first to fade. Each piece hints to a bleak future landscape where the arrangement of bones may be the only flowers remaining.
Efflorescence began as a series of carefully detailed silver floral forms reflecting on how our semiconscious existence often causes us to neglect the beauty in the world around us. These were recreated with gold and surface patination techniques for a project in Japan in 2013. Floral elements continue to emerge in Luke's work as an expression of the connection between all living things.